UmEOt旅游风景明信片画22:42:40

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[ad thread/a_pr/3/0]旅游风景明信片画《始闻秋风(昔看黄菊与君别)》原文翻译及赏析_作者刘禹锡昔看黄菊与君别今听玄蝉我却回五夜飕枕前觉一年颜状镜中来马思边草拳毛动雕眄青云睡眼开天地肃清堪四望为君扶病上高台《如梦令·春景》原文翻译及赏析_作者秦观莺嘴啄花红溜燕尾点波绿皱指冷玉笙寒吹彻小梅春透依旧依旧人与绿杨俱瘦
《辽西作（燕郊芳岁晚）》原文翻译及赏析_作者崔颢燕郊芳岁晚残雪冻边城四月青草合辽阳春水生胡人正牧马汉将日征兵露重宝刀湿沙虚金鼓鸣寒衣著已尽春服与谁成寄语洛阳使为传边塞情
《壮士篇》原文翻译及赏析_作者张华天地相震荡回薄不知穷人物禀常格有始必有终年时俯仰过功名宜速崇壮士怀愤激安能守虚冲乘我大宛马抚我繁弱弓长剑横九野高冠拂玄穹慷慨成素霓啸咤起清风震响骇八荒奋威曜四戎濯鳞沧海畔驰骋大漠中独步圣明世四海称英雄这是一首乐府诗题旨大概是由阮籍咏怀壮士何慷慨来的那首诗道壮士何慷慨志欲威八荒驱车远行役受命念自忘良弓挟乌号明甲有精光临难不顾生身死魂飞扬阮籍这首诗在他的咏怀中可谓别调写得也很慷慨激昂但它表现的功业心主要是从效命气节着眼的而张华此篇虽然也有这方面的意思但主要是从人生意义生命价值这些认识出发显得比较深切更能予人们以激励这是思想上的不同阮籍的作品是古诗显得简约朴素而张华此篇则较铺张也比较重修辞乘我大宛马以下十句全是对偶这不仅显出乐府体与古诗的差别也显出西晋之后的诗歌比正始之音更注重形式美了

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